After 15 fantastic years in Herbert St, the Herbert St Gallery is now closed and we are delighted to announce that we will be moving to a very exciting new space in 2015.
In the meantime, works are available to view by appointment and we will be showing at a number of Art Fairs and Pop Up spaces, beginning with Europe & Beyond, 12 artists in clay at the beautiful new Coach House Gallery at Dublin Castle from 5 – 27 Sept 2014 (map below).
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A review of Ciarán Lennon's 2014 show by Art critic John P. O'Sullivan.
Great visit today from two of Ireland's most outstanding artists Graham Gingles & Ciaran Lennon.
FIFTH century BC Greek artist Zeuxis painted grapes so realistically that birds came to peck at them. Twenty-first century artist Conor Walton's paintings of grapes, a slab of butter, a cake, brack, bars of chocolate, biscuits, are so realistically and brilliantly done that you could eat them.
Walton, who studied in Florence and enjoys an international reputation, is steeped in the classical tradition, has perfected the grand style but he is also a thoroughly modern artist; the work is informed by a contemporary intellectual sensibility.
This painting combines the old and new. The grapes, pear, apple, wine glass, bottle, all belong to the rich still life tradition. The curtain, marble shelf and Walton's arced deep pink background become a stage complete with proscenium arch. But the title, Black Hole, tells us this is a bang-up-to-the-minute, big bang painting. There is a playful energy, a fascinating contrast,between then and now and this is especially captured in the plastic figures, which Walton bought for his three small children in the gift shop at the Louvre.
Walton has placed Louis XVI, Le Roi Soleil himself, his wife Marie Antoinette and Napoleon in the background. These royal and powerful figures were once on the world stage. The royals are facing away and gaze upon the world map. The sow adds a down-to-earth touch. Napoleon, usually astride a horse rides mythological Cerberus, the monstrous, three-headed dog that guards the gates of Hades. This was Walton's son's doing – playing with the figures he mixed them up and it resulted in "a beast upon a beast".
Are these figures from history looking to the future? What they and we see is an image that contains both a beautiful stillness and a sense of impending chaos. The concave globe, in beautiful pastel colours, is about to go down the tubes – Germany goes first – and Heisenberg's Uncertainty Principle and Black Holes come to mind. But the most striking thing of all about Walton, who is only in his forties, is his command of light. This image of an imploding, transient world is suffused with a golden glow.
Vanitas, new work by Conor Walton at the Peppercanister Gallery, 3 Herbert St, Dublin 2, runs until November 30. www.peppercanister.com
Words by Niall MacMonagle.
:: Neil Shawcross ::
Jazz. The word sends some people running out of the room. Some come running in, looking for skins before it ‘gets to the good bit’. For Neil Shawcross, it makes him run to the canvas. J-A-Z-Z. The letters themselves seem to have a life of their own, weighed down or buoyed up by a century of meaning, music and stories. Shawcross has lived with the word all his life – his brothers are jazz musicians – but it was a letter sent by a friend from New York that fired his imagination. The letter's stamp had those four letters writ large across its front. J-A-Z-Z. The free form,colourful style of the work it inspired has all those elements of jazz, including the crucial underlying structure. J-A-Z-Z. Roll the letters around your tongue, and wrap these canvases around your iris. No need for those skins.
Review by Brian Torpey.
:: Neil Shawcross ::
:: Albert Irvin ::